Lizaveta Prudnikava x ME
Lizaveta Prudnikava has worked with ME since the very beginning of the brand. Throughout those years, she used the 3.5 mm configuration as her primary choice. While the results were consistent and predictable, lip procedures continued to reveal limitations that could not be solved by technique alone. That observation became the starting point of our collaboration. Months of analysis, testing and refinement led to the development of a dedicated Motion Control system for the 2.8 mm configuration designed specifically around the biomechanics of lip pigmentation.
We didn't start by changing settings. We started by questioning every part of the system. Every iteration was evaluated on real lip tissue, analysing how energy entered the skin, how the tissue responded to each individual needle impact and how those changes affected healed results.
Over months of development, dozens of prototypes, mechanical revisions, firmware refinements and repeated clinical testing gradually shaped a completely new approach. Every modification had one objective: improve what happens in the skin without asking the artist to change the way they work.
The result wasn't a single feature. It was an entire system designed to deliver more predictable energy transfer, greater consistency and improved tissue response during lip pigmentation.
Designed to Improve Every Lip Procedure
Reduced Tissue Trauma
The greatest consistency is not in the colour. It is in the way the tissue responds immediately after the procedure.
Minimal Swelling
The soft yet dynamic impulse delivered with every needle stroke helps minimise tissue response, resulting in noticeably less swelling of both the lips and the mucosa during the procedure.
Shorter Procedure Time
More efficient pigment implantation reduces the number of passes required to achieve consistent saturation. Artists who introduced ME™ Lips Motion Control into their daily practice reported procedure times reduced by up to 30%.
After
Healed
A professional wireless permanent makeup device designed for permanent makeup artists who demand predictable results and complete control throughout every procedure. Engineered for stability and precision, it delivers consistent pigment implantation and exceptional comfort, even during long treatment sessions.
Pickup available at Magazyn ME
Usually ready in 24 hours
ME PMU MACHINE - ROSE GOLD
Matte / 2.8 mm / Powder Effect
Magazyn ME
Popularna
20
02-473 Warszawa
Poland
REAL STORIES, REAL RESULTS
Aleksandra D.
This is the first machine that has given me a real sense of complete control. I don't have to increase my hand pressure or make unnecessary passes. My work is faster, more comfortable, and above all, consistent. But what impressed me the most is the lack of swelling. I honestly didn't think that was even possible to achieve.
Viktoria C.
The devise is more amazing than I expected. Accurate, precise shading on all type of skin. I never did such an amazing eyebrows for clients 60+ years old. Super happy with the purchase
Caroline H.
Ever since I started working with this machine, I honestly can't imagine going back to my previous one. It implants pigment incredibly gently, so the skin barely swells and isn't subjected to unnecessary trauma. The pixels are even, clean, and achieving beautiful saturation is effortless. The new grip has been a huge improvement for me as well. My hand doesn't get tired even after hours of work, and the entire procedure is faster, more precise, and simply much more comfortable. I love working with equipment that genuinely improves the quality of my results. The work shown is the result achieved using this machine.
Patrycja C.
A true game changer for lip pigmentation provided you know how to unlock its full potential. I've worked with many machines for lip pigmentation over the years, but this one is in a league of its own. It feels incredibly light and comfortable to work with. The device is designed so that every pixel is placed exactly where it should be, without leaving empty spaces in the skin. It's exceptionally precise, remarkably stable, and gives me complete confidence throughout the procedure. So far, I haven't found a better machine. I highly recommend it.
Sonia B.
The ME machine has completely changed the way I work. It has significantly reduced the time I spend on each lip procedure. I used to complete only 2–3 treatments a day now 4 is my standard. The healed results are beautiful, touch-ups require very little work, and that pink color is A M A Z I N G! I honestly didn't believe the machine could look as good in real life as it did in the photos. The iPhone of the PMU industry.
Melania Z.
At first glance, it looks heavy and bulky but it's actually the complete opposite. It's lightweight, perfectly balanced, and compact. It fits comfortably in my hand, making it incredibly easy to work with. I've noticed that my procedures are faster, and I no longer feel the need to press the machine into the skin. Another huge advantage is the complete lack of vibration. I recently considered picking up my MAST again, but now I finally understand what everyone means when they say some machines vibrate like crazy.
A successful lip pigmentation procedure is not measured only by the immediate result.The true outcome becomes visible afterhealing. Consistent healing is achieved when the tissue maintains its natural structure, the pigment heals evenly, and the biological response remains predictable throughout the entire process.
Preparing artists for PMU championships is not about learning more techniques. It is about understanding the pigmentation process at a level that most artists never have the opportunity to analyze. Every decision made during the procedure influences the final healed result. That is why preparing artists for championship-level performance requires analyzing every stage of the pigmentation process—not simply refining hand movement. This analytical approach became one of the foundations for developing our solution for lip pigmentation.
Daily work with beginner artists reveals where the most common mistakes occur. Preparing artists for PMU championships reveals what truly separates skilled artists from exceptional ones. Bringing these two perspectives together creates a comprehensive understanding of the pigmentation process—from fundamental principles to championship-level performance.
Liza works with artists at every stage of their professional journey. This allows her to understand not only the challenges beginners face, but also the fine details that distinguish championship-level work. That unique perspective became one of the key foundations behind the development of ME™ Lips Motion Control 2.8 mm.
The combination of Liza's teaching methodology and ME™ Lips Motion Control 2.8 mm helps artists build repeatable technique not by relying on luck, but by understanding every stage of pigmentation.
ME™ Lips Motion Control 2.8 mm - Why did we develop a configuration dedicated to lip pigmentation?
Discover why the ME™ Lips Motion Control 2.8 mm configuration was developed specifically for lip pigmentation and how its unique energy delivery system minimizes tissue trauma while improving proce...
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FAQ
Who is Lizaveta Prudnikava?
Lizaveta Prudnikava is an international Permanent Makeup Artist, Trainer, Speaker, PMU Championship Judge and Champion. Originally from Belarus and now based in Warsaw, Poland, she runs her own PMU Academy and is regularly invited to share her expertise at industry conferences and events internationally, including in Dubai, Hungary, the Czech Republic and Poland.
Before becoming a championship mentor and judge, Liza competed in PMU championships herself, gaining first-hand experience of the precision, technical discipline and level of execution required in competitive permanent makeup. Today, she brings that experience into her work with other artists, preparing dozens of competitors each year for PMU championships.
Over the past six years, Liza has developed her own approach to both brow and lip pigmentation, combining strong technical foundations with exceptional attention to detail, a deep understanding of pigmentation and a highly developed aesthetic eye.
Her experience has also shaped the way she teaches. Rather than simply showing artists how to reproduce a technique, Liza focuses on helping them understand what they are doing, how the skin and tissue respond, and how to make better technical decisions during a procedure. She trains artists at every stage - from beginners and advanced professionals to experienced PMU artists working toward championship-level performance.
Alongside her international education, speaking and judging work, Liza continues to work regularly with clients in her Warsaw studio. Her techniques are therefore not based solely on theory, demonstrations or competition work. They are continuously tested and refined through real procedures, different tissue conditions and healed results in everyday studio practice.
It was this combination of championship-level technical skill, extensive teaching experience and continuous hands-on work with clients that made Liza's expertise an important foundation for the development and testing of ME™ Lips Motion Control.
What is ME™ Lips Motion Control and why was it developed?
ME™ Lips Motion Control is a dedicated configuration developed specifically for lip pigmentation. Instead of starting with the machine, we started with the tissue. We spent months analyzing how lips absorb and release energy during every needle movement and built the Motion Control system around those observations. The goal wasn't to make the machine feel different. It was to make the procedure more predictable.
Why was this configuration created specifically for lips?
Lips behave differently from eyebrows. The tissue is softer, more elastic and reacts differently to repeated needle passes. During development we realised that simply using the same machine for every procedure wasn't the best solution. This configuration was created to better match the biomechanics of lip tissue.
What exactly does Motion Control change?
Much more than the feeling of the machine.
It changes how every dot is created, how every line feels, how every pass behaves and how every layer is built throughout the procedure.
We didn't develop Motion Control by looking only at healed results. We analyzed the entire process together with experienced artists from the first needle pass to the final result. We studied what artists feel in their hand, what they see during implantation and how different tissues, especially difficult ones, respond throughout the procedure.
That's why every Motion Control profile has its own purpose. It wasn't created to feel different. It was created to support a different way of implanting pigment.
Can I also use it for brows and other areas?
Absolutely. You can use it for brows and other PMU procedures as well.
Just keep in mind that every Motion Control configuration was developed for a specific type of tissue and technique, so the machine will simply have a different feel depending on what you're doing.
You can absolutely create beautiful brow work with the Lips configuration. If, however, brows are your primary focus, you'll probably enjoy one of our dedicated brow configurations even more because they were specifically optimized for eyebrow skin.
Why does it use a 2.8 mm stroke instead of 3.5 mm?
Stroke length is only one part of the system, but for lips we found that 2.8 mm gave us the best balance between efficient pigment implantation and controlled energy transfer. Combined with our Motion Control profile, it produces a very different feel than a standard 2.8 mm machine.
Who is the ME™ Lips Motion Control configuration for?
It's for anyone who wants to improve their lip procedures.
It doesn't matter if you're just starting out or you've been working for years. Every artist benefits from less trauma, less swelling, a more comfortable experience for the client and more consistent implantation. Those were the goals behind this configuration from day one.
Can beginners achieve consistent results with it?
The machine won't replace technique, but it can make learning easier. A more predictable needle movement allows beginners to focus on hand movements and implantation instead of constantly compensating for the machine.
Does it perform well on difficult lip cases?
That's exactly what we tested it on. During development we intentionally worked on different lip types - not only ideal cases, but also mature lips, dry lips and lips that are normally more challenging to pigment. We wanted the machine to perform consistently across real clinical situations.
What makes it different from a standard 2.8 mm PMU machine?
The stroke length is only one specification. What makes the biggest difference is how the machine delivers that movement into the tissue. Motion Control changes the behavior of the machine throughout every needle cycle, creating a different implantation profile than a standard rotary machine.
Is it a soft or a hard-hitting machine?
Most artists describe it as soft, but very dynamic.
It was designed to work with proper lip technique: good skin stretch, light pressure and working with the tip of the needle. If you press hard and work aggressively, the machine may feel too soft. That's because the Motion Control system wasn't designed to reward force—it was designed to work efficiently with controlled implantation.
Also remember that you can easily change the sensory feel of the machine by changing the needle. If you prefer a tighter, firmer feel, simply choose a needle that provides more resistance. If you like a softer feel, choose one with less resistance. The same machine can feel surprisingly different depending on the cartridge you use.
What working speed (Hz) is recommended?
We usually recommend 53–60 Hz.
Keep your movements short, stretch the lips properly and work with the tip of the needle. Don't try to press the pigment into the skin. Let the machine do the work. Work in short sections rather than extending your movements too much.
Which cartridge brands are compatible?
The machine is compatible with most standard universal PMU cartridges available on the market.
How long does the battery last?
A fully charged battery typically provides around 5–6 hours of continuous work, depending on your working speed and configuration. The batteries are also interchangeable, so you can keep working by simply replacing it.
Is the machine heavy?
Not at all! We know we look a little chunky in photos... but don't judge us too quickly. 😉
The machine is short, well balanced and feels much lighter than most people expect. Pick it up once, and you'll understand why so many artists are surprised by how comfortable it is to work with.
Can I buy multiple machines with different Motion Control configurations?
Absolutely. Many artists choose different configurations for different procedures for example one dedicated to lips and another for powder brows or hairstrokes. All configurations share the same platform while offering a different implantation profile.